Roy Lee Brown and His Musical Brownies - Ice Man Song / Weeping Willow (Swing 101)
"Ice Man Song" (Swing 101-A)
If this record is any guide, the free and easy spirit of 1930s western swing didn't begin to fade in Fort Worth until the war -- the Korean war, not WWII. For all intents, "Ice Man Song" sounds like something straight out of 1937, helped by a plethora of crude sexual metaphors and hot solos (though nobody present here would be mistaken for Cecil Brower or Bob Dunn). It being 1947, it hadn't quite dawned on the band that they need to only record songs that are "safe" for radio play -- this was done for the jukebox trade only, so anything goes. If the Musical Brownies had tried this just a few years later, they probably would have been subpoenaed by the House Committee on Un-American Activities for the crime of corrupting Texan youth.
The song comes from a highly unlikely source: Fred Waring, the ultra-square orchestra leader who specialized in nice waltz music for great-grandmothers. In 1926, Waring recorded an innocent, dumb song about an ice man (a common sight in those pre-refrigerator days) called "Any Ice Today, Lady?" whose first verse Roy Lee follows closely:
But then it veers swiftly off-course, with a couplet found nowhere in Waring's original:
We wouldn't try to fool you, you're smart as a fox
If you want a bigger piece, well, how big is your box?
The rest of the song is merely an excuse to use "box" and "piece" as double-entendres as many times as possible. This is pretty hot stuff for 1947. Take that, Fred Waring!
But, with or without the band's knowledge, it was also pressed on the Swing label. Swing (usually misidentified as "Swing With The Stars," which was its slogan, not the actual label name) was a record company/pressing plant run out of Paris, Texas, by disc jockey/songwriter/entrepreneur Jimmy Mercer. The Swing label lasted a couple of years, but since Mercer was pressing on highly fragile shallac (perhaps recycled from old discs in some cases), not much on this label has survived these 60+ years later. There were a couple of releases by Homer Clemons (more on him later), a few blues items bought from Gold Star, and a few miscellaneous country releases like this one. Mercer had better luck with his Royalty label, which do turn up occasionally ("Benzedrine Blues" on Royalty is singled out for praise in Nick Tosches' Country), but he couldn't sustain his shoestring operation past 1950, when he shut his doors and moved to Illinois.
Roy Lee's band continued playing for several years, but he didn't record again until the 1980s. He is best known for assisting Cary Ginell with his essential book, Milton Brown and the Founding of Western Swing. And no, by that time, Roy Lee certainly didn't want to be reminded of the "blue" material he'd recorded a lifetime before.
* Fred Waring's original version can be heard on this YouTube video here.